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Marko Kölbl
/
Fritz Trümpi
(eds.)
Music and Democracy
Participatory Approaches
This book explores how music relates to democratic participation - on- and offline, throughout cultures, in various times, social settings, and political systems.
Sensing and Making Sense
Photosensitivity and Light-to-sound Translations in Media Art
A media art history focused on photosensitivity.
Musical Composition in the Context of Globalization
New Perspectives on Music History in the 20th and 21st Century
This book provides a deeper understanding of how processes of globalization, cultural exchange, and transformation are reflected in new musical structures, sounds, and communication.
Curating Contemporary Music Festivals
A New Perspective on Music's Mediation
What does it mean to curate contemporary music festivals, and how can the concept be used to re-imagine the very premise of contemporary music itself?
Matej Santi
/
Elias Berner
(eds.)
Music – Media – History
Re-Thinking Musicology in an Age of Digital Media
Music and sound shape the emotional content of audio-visual media. How would history be told if audio-visual documents were used as primary sources?
Berthold Over
/
Gesa zur Nieden
(eds.)
Operatic Pasticcios in 18th-Century Europe
Contexts, Materials and Aesthetics
The musical pastiche of the 18th century reconsidered in a collection of musicological and interdisciplinary essays, written by renowned specialists.
Tobias Janz
/
Chien-Chang Yang
(eds.)
Decentering Musical Modernity
Perspectives on East Asian and European Music History
A book about the multifaceted concept of musical modernity in Europe and Asia, investigating its many forms, expressions and interpretations.
Glaucia Peres da Silva
/
Konstantin Hondros
(eds.)
Music Practices Across Borders
(E)Valuating Space, Diversity and Exchange
Music across borders – (e)valuating transnational music practices looking at space, diversity, and exchange.
Musical Practice as a Form of Life
How Making Music Can be Meaningful and Real
Musical practice as an activity (but also letting things happen) becomes a reality itself – pointing out to realities and possibilities in everyday life.
Anonymity Performance in Electronic Pop Music
A Performance Ethnography of Critical Practices
Critical anonymity performance in electronic pop music calls for experimental research and writing towards a performance ethnography of music culture.