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Nadine Böhm-Schnitker
/
Marcus Hartner
(eds.)
Comparative Practices
Literature, Language, and Culture in Britain's Long Eighteenth Century
An investigation of the formative role of practices of comparing in British literature and culture during the long eighteenth century.
Frank Kelleter
/
Alexander Starre
(eds.)
Culture^2
Theorizing Theory for the Twenty-First Century, Vol. 1
In fifteen lively and stimulating essays centered on critical key works, Culture^2 reflects on how to do cultural studies in the twenty-first century.
Authority and Authorship in Medieval and Seventeenth Century Women's Visionary Writings
This book investigates how women gained authority and a voice of their own in medieval and seventeenth century visionary writings.
Resilience Stories
Individualized Tales of a Metanarrative
A multidisciplinary approach to human resilience as a social and narrative construct.
The Wealthy, the Brilliant, the Few
Elite Education in Contemporary American Discourse
Sophie Spieler explores elite education and its peculiar position in American cultural discourse, focusing particularly on the negotiation of merit.
The Supernatural Media Virus
Virus Anxiety in Gothic Fiction Since 1990
An exploration of the cultural relevance of the trope of the supernatural media virus and imaginations of the network society in Gothic fiction since 1990.
Dramatic Disgust
Aesthetic Theory and Practice from Sophocles to Sarah Kane
Pity, Fear, DISGUST: This study investigates how from antiquity to in-yer-face theatre the sensation of disgust has animated the dramatic genre.
From Post-Yugoslavia to the Female Continent
A Feminist Reading of Post-Yugoslav Literature
The book shows how the feminist reading of literature can help locate two chimeric sites: Post-Yugoslavia and a female continent.
Home/Fronts
Contemporary War in British Literature, Drama, and Film
An analytical survey of contemporary war narratives in British Literature, Drama, Film, and Television.
Savage Horrors
The Intrinsic Raciality of the American Gothic
While the white American Gothic novel must be understood as a highly racialized and structural anti-Black text, Black authors have creatively deconstructed the Gothic since the 18th century.