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Leopold Lippert
/
Ralph J. Poole
(eds.)
The Politics of Gender in Early American Theater
Revolutionary Dramatists and Theatrical Practices
This collection explores the role and relevance of gender in the formation of American theatrical culture in the late 18th and early 19th centuries.
Dramatic Disgust
Aesthetic Theory and Practice from Sophocles to Sarah Kane
Pity, Fear, DISGUST: This study investigates how from antiquity to in-yer-face theatre the sensation of disgust has animated the dramatic genre.
Emerging Affinities – Possible Futures of Performative Arts
Emerging Affinities connects disciplines and discourses to investigate the future of performative forms.
Sabine Huschka
/
Barbara Gronau
(eds.)
Energy and Forces as Aesthetic Interventions
Politics of Bodily Scenarios
Aesthetic dimensions of energetic processes. Theoretical, analytic and critical approaches to dance, theatre and performance in dialogue.
Resilient Bodies, Residual Effects
Artistic Articulations of Borders and Collectivity from Lebanon and Palestine
Bodies, borders and collectivity: with recourse to artistic practices from Lebanon and Palestine, Sandra Noeth questions what it takes to cross a border, and what it takes to belong.
Wolfgang Schneider
/
Lebogang L. Nawa
(eds.)
Theatre in Transformation
Artistic Processes and Cultural Policy in South Africa
Theatre is a mirror of society; artists are seismographs in processes of transformation. The book is based on a research about Cultural Policy in post-apartheid South Africa.
On the Threshold of Knowing
Lectures and Performances in Art and Academia
Building on Goffman's »Frame Analysis« the book gives profound insight into how knowledge – as a practice and a concept – is associated with clarity rather than truth.
Gabriele Brandstetter
/
Holger Hartung
(eds.)
Moving (Across) Borders
Performing Translation, Intervention, Participation
The contributors to this book ask from their individual cultural backgrounds how movements across and along borders function as performative and political acts.
Dancing Age(ing)
Rethinking Age(ing) in and through Improvisation Practice and Performance
This artistic research inquiry develops, discusses, and stages critical practices and performances of age(ing) in contemporary dance.
Manfred Brauneck
/
ITI Zentrum Deutschland
(eds.)
Independent Theatre in Contemporary Europe
Structures – Aesthetics – Cultural Policy
What about the state of independent theatre? A reflection about the last 20 years – and agile insights in heterogeneous european productions.