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Annegret Huber
/
Doris Ingrisch
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Therese Kaufmann
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Johannes Kretz
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Gesine Schröder
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Tasos Zembylas
(eds.)
Knowing in Performing
Artistic Research in Music and the Performing Arts
How can performing be transformed into cognition? What does it mean to think through music, theatre, or dance?
Contemporary PerforMemory
Dancing through Spacetime, Historical Trauma, and Diaspora in the 21st Century
An interdisciplinary research journey, introducing the new idea of PerforMemory through a study of contemporary dance-making in Europe, Taiwan, the Caribbean and the USA.
Marko Kölbl
/
Fritz Trümpi
(eds.)
Music and Democracy
Participatory Approaches
This book explores how music relates to democratic participation - on- and offline, throughout cultures, in various times, social settings, and political systems.
Pina Bausch's Dance Theater
Company, Artistic Practices and Reception
An extensive analysis of Pina Bausch's oeuvre including the development of a praxeology of translation as a key concept for dance and art theory.
Dramatic Disgust
Aesthetic Theory and Practice from Sophocles to Sarah Kane
Pity, Fear, DISGUST: This study investigates how from antiquity to in-yer-face theatre the sensation of disgust has animated the dramatic genre.
Emerging Affinities – Possible Futures of Performative Arts
Emerging Affinities connects disciplines and discourses to investigate the future of performative forms.
Sabine Huschka
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Barbara Gronau
(eds.)
Energy and Forces as Aesthetic Interventions
Politics of Bodily Scenarios
Aesthetic dimensions of energetic processes. Theoretical, analytic and critical approaches to dance, theatre and performance in dialogue.
Resilient Bodies, Residual Effects
Artistic Articulations of Borders and Collectivity from Lebanon and Palestine
Bodies, borders and collectivity: with recourse to artistic practices from Lebanon and Palestine, Sandra Noeth questions what it takes to cross a border, and what it takes to belong.
Wolfgang Schneider
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Lebogang L. Nawa
(eds.)
Theatre in Transformation
Artistic Processes and Cultural Policy in South Africa
Theatre is a mirror of society; artists are seismographs in processes of transformation. The book is based on a research about Cultural Policy in post-apartheid South Africa.
On the Threshold of Knowing
Lectures and Performances in Art and Academia
Building on Goffman's »Frame Analysis« the book gives profound insight into how knowledge – as a practice and a concept – is associated with clarity rather than truth.