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Yuji Nawata
/
Hans Joachim Dethlefs
(eds.)
Performance Spaces and Stage Technologies
A Comparative Perspective on Theatre History
A global history of theatre and performance as a history of architecture and technology including case studies on Babylonia, Europe, China, and Japan.
Kai Tuchmann
(ed.)
Postdramatic Dramaturgies
Resonances between Asia and Europe
The world's leading practitioners of postdramatic theatre offer an insider perspective of their artistic thinking and methods.
Cultural Diversity in Motion
Rethinking Cultural Policy and Performing Arts in an Intercultural Society
How to activate diversity in motion in performing arts? The book offers a fairness-based cultural policy perspective for the performing arts field.
Annegret Huber
/
Doris Ingrisch
/
Therese Kaufmann
/
Johannes Kretz
/
Gesine Schröder
/
Tasos Zembylas
(eds.)
Knowing in Performing
Artistic Research in Music and the Performing Arts
How can performing be transformed into cognition? What does it mean to think through music, theatre, or dance?
Contemporary PerforMemory
Dancing through Spacetime, Historical Trauma, and Diaspora in the 21st Century
An interdisciplinary research journey, introducing the new idea of PerforMemory through a study of contemporary dance-making in Europe, Taiwan, the Caribbean and the USA.
Marko Kölbl
/
Fritz Trümpi
(eds.)
Music and Democracy
Participatory Approaches
This book explores how music relates to democratic participation - on- and offline, throughout cultures, in various times, social settings, and political systems.
Processing Choreography
Thinking with William Forsythe's Duo
An enthralling and significant case study of dance relevant to broader discussion of culture, institutionalization, and embodiment.
Pina Bausch's Dance Theater
Company, Artistic Practices and Reception
An extensive analysis of Pina Bausch's oeuvre including the development of a praxeology of translation as a key concept for dance and art theory.
Leopold Lippert
/
Ralph J. Poole
(eds.)
The Politics of Gender in Early American Theater
Revolutionary Dramatists and Theatrical Practices
This collection explores the role and relevance of gender in the formation of American theatrical culture in the late 18th and early 19th centuries.
Dramatic Disgust
Aesthetic Theory and Practice from Sophocles to Sarah Kane
Pity, Fear, DISGUST: This study investigates how from antiquity to in-yer-face theatre the sensation of disgust has animated the dramatic genre.