Dramatic and Dance Theory

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Contemporary PerforMemory
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Contemporary PerforMemory

Dancing through Spacetime, Historical Trauma, and Diaspora in the 21st Century

An interdisciplinary research journey, introducing the new idea of PerforMemory through a study of contemporary dance-making in Europe, Taiwan, the Caribbean and the USA.
The Politics of Gender in Early American Theater
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The Politics of Gender in Early American Theater

Revolutionary Dramatists and Theatrical Practices

This collection explores the role and relevance of gender in the formation of American theatrical culture in the late 18th and early 19th centuries.
Knowing in Performing
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Knowing in Performing

Artistic Research in Music and the Performing Arts

How can performing be transformed into cognition? What does it mean to think through music, theatre, or dance?
Dramatic Disgust
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Dramatic Disgust

Aesthetic Theory and Practice from Sophocles to Sarah Kane

Pity, Fear, DISGUST: This study investigates how from antiquity to in-yer-face theatre the sensation of disgust has animated the dramatic genre.
Pina Bausch's Dance Theater
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Pina Bausch's Dance Theater

Company, Artistic Practices and Reception

An extensive analysis of Pina Bausch's oeuvre including the development of a praxeology of translation as a key concept for dance and art theory.
Emerging Affinities – Possible Futures of Performative Arts
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Emerging Affinities – Possible Futures of Performative Arts
Emerging Affinities connects disciplines and discourses to investigate the future of performative forms.
Energy and Forces as Aesthetic Interventions
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Energy and Forces as Aesthetic Interventions

Politics of Bodily Scenarios

Aesthetic dimensions of energetic processes. Theoretical, analytic and critical approaches to dance, theatre and performance in dialogue.
Resilient Bodies, Residual Effects
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Resilient Bodies, Residual Effects

Artistic Articulations of Borders and Collectivity from Lebanon and Palestine

Bodies, borders and collectivity: with recourse to artistic practices from Lebanon and Palestine, Sandra Noeth questions what it takes to cross a border, and what it takes to belong.
Theatre in Transformation
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Theatre in Transformation

Artistic Processes and Cultural Policy in South Africa

Theatre is a mirror of society; artists are seismographs in processes of transformation. The book is based on a research about Cultural Policy in post-apartheid South Africa.
On the Threshold of Knowing
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On the Threshold of Knowing

Lectures and Performances in Art and Academia

Building on Goffman's »Frame Analysis« the book gives profound insight into how knowledge – as a practice and a concept – is associated with clarity rather than truth.
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