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Common Image
Towards a Larger Than Human Communism
A notion of the common image, understood as a multisensory perception across species, and common ethics that transcend species-bound ways of living.
Beyond the Mirror
Seeing in Art History and Visual Culture Studies
The first study to reveal and compare the concepts of vision that underwrite the scholarly act of seeing in art history and visual culture studies.
Tillmann Damrau
(ed.)
Presence, Process, and the Pictorial Real
Perspectives on Painting
Painting proved to be an extremely robust and versatile medium of human self-reflection and is still relevant to contemporary image production.
Pictorial Appearing
Image Theory After Representation
What are images? How do they appear? And what do they do to us? On the concept of "pictorial appearing" and what difference it makes.
Sabine Damir-Geilsdorf
/
Stephan Milich
(eds.)
Creative Resistance
Political Humor in the Arab Uprisings
This volume explores political humor as a creative tool for resistance. It analyzes the interdependencies between humorous forms of cultural expression and socio-political developments in different countries.
Sissy Helff
/
Stefanie Michels
(eds.)
Global Photographies
Memory – History – Archives
This compilation connects photography to global practices in historic perspective. Colonial and postcolonial photography is presented as an entangled and contested site.
Roman Charity
Queer Lactations in Early Modern Visual Culture
»Roman Charity« investigates the iconography of Pero, the daughter who breastfed her father, as a figure of excess, queer desire, and dissent in early modern patriarchy.
Fragments, Futures, Absence and the Past
A New Approach to Photography
The author suggests photography's benefit for post-war Germany rather in a thinking of possible futures than in the confirmation of an irretrievable past.
At Face Value and Beyond
Photographic Constructions of Reality
What could easily be taken at face value sometimes deserves a closer look! This study in media analysis offers an intriguing multi-perspective approach on contemporary photographs.
Photographs of Environmental Phenomena
Scientific Images in the Wake of Environmental Awareness, USA 1860s-1970s
Through an analysis of »Our Only World«, this book shows how in 1976 photography was deployed in the first world-wide exhibition, a transnational vision for disseminating a consciousness for environmental conservation.