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Ursula Damm
/
Mindaugas Gapsevicius
(eds.)
Shared Habitats
A Cultural Inquiry into Living Spaces and Their Inhabitants
»Shared Habitats« invites the reader to rethink the role of art and the role of the artist within umwelts, milieus, and habitats.
Taking Stakes in the Unknown
Tracing Post-Black Art
What does it mean to be Black in the early 21st Century? This question guided an art exhibition that deeply shaped our perspective on Black art and artists today.
Aesthetic Temporalities Today
Present, Presentness, Re-Presentation
The volume deals with the present, its plural conditions, and global meanings in visual culture, art, and aesthetics from the 18th century until today.
Let Them Haunt Us
How Contemporary Aesthetics Challenge Trauma as the Unrepresentable
»Let Them Haunt Us« analyzes contemporary aesthetics engaged in trauma and challenges its canonical status as »unrepresentable«.
Henriette Gunkel
/
kara lynch
(eds.)
We Travel the Space Ways
Black Imagination, Fragments, and Diffractions
This book provides a conversation about black visioning of a future between Africa, Europe, and the Americas.
Emerging Affinities – Possible Futures of Performative Arts
Emerging Affinities connects disciplines and discourses to investigate the future of performative forms.
Border Wall Aesthetics
Artworks in Border Spaces
Through the eyes of 100 artists: a visionary journey along Border Wall aesthetics.
Artistic Transfer
Efficiency Through Unruly Thinking
When unruly thought is circulated and probed in non-artistic fields, an extremely efficient pattern emerges: the »artistic transfer«.
Musical Practice as a Form of Life
How Making Music Can be Meaningful and Real
Musical practice as an activity (but also letting things happen) becomes a reality itself – pointing out to realities and possibilities in everyday life.
Situating Global Art
Topologies – Temporalities – Trajectories
Since the early 1990s, the term "Global Art" has gone hand in hand with an expansion of the canon while not always reflecting the plurality of art worlds. This volume interrogates contemporary practices of art, curating, historiography and criticism with regard to their transcultural situatedness.