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Critical by Design?
Genealogies, Practices, Positions
»Critical by Design?« questions and unpacks the ambivalent tensions between design and critique.
Stephan Schmidt-Wulffen
/
German A. Duarte
(eds.)
The Object as a Process
Essays Situating Artistic Practice
How does contingent materiality guide the artist towards developing a statement? An analysis of the way the object becomes an active element in artistic practice.
Transitional Territories
Confluence of Art and Anthropology in the Practices of Contemporary Artists from Turkey
An investigation of Turkish contemporary art practices produced by adopting features from the practice of anthropology.
Changing Time – Shaping World
Changemakers in Arts & Education
A World of Changemakers – how to be an entrepreneur in the sense of an edupreneur.
Common Image
Towards a Larger Than Human Communism
A notion of the common image, understood as a multisensory perception across species, and common ethics that transcend species-bound ways of living.
Electric Seeing
Positions in Contemporary Video Art
A video theory from the technological outset and the desire for »electric seeing« in the 19th century until today's ubiquitous video practice.
Ursula Damm
/
Mindaugas Gapsevicius
(eds.)
Shared Habitats
A Cultural Inquiry into Living Spaces and Their Inhabitants
»Shared Habitats« invites the reader to rethink the role of art and the role of the artist within umwelts, milieus, and habitats.
Taking Stakes in the Unknown
Tracing Post-Black Art
What does it mean to be Black in the early 21st Century? This question guided an art exhibition that deeply shaped our perspective on Black art and artists today.
Aesthetic Temporalities Today
Present, Presentness, Re-Presentation
The volume deals with the present, its plural conditions, and global meanings in visual culture, art, and aesthetics from the 18th century until today.
Let Them Haunt Us
How Contemporary Aesthetics Challenge Trauma as the Unrepresentable
»Let Them Haunt Us« analyzes contemporary aesthetics engaged in trauma and challenges its canonical status as »unrepresentable«.