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Berthold Over
/
Gesa zur Nieden
(eds.)
Operatic Pasticcios in 18th-Century Europe
Contexts, Materials and Aesthetics
The musical pastiche of the 18th century reconsidered in a collection of musicological and interdisciplinary essays, written by renowned specialists.
Darcy White
/
Chris Goldie
(eds.)
Proximity and Distance in Northern Landscape Photography
Contemporary Criticism, Curation and Practice
Proximity and embodied experience or distance and critical engagement? Photographers, critics, curators explore the contemporary northern landscape.
Henriette Gunkel
/
kara lynch
(eds.)
We Travel the Space Ways
Black Imagination, Fragments, and Diffractions
This book provides a conversation about black visioning of a future between Africa, Europe, and the Americas.
Emerging Affinities – Possible Futures of Performative Arts
Emerging Affinities connects disciplines and discourses to investigate the future of performative forms.
Border Wall Aesthetics
Artworks in Border Spaces
Through the eyes of 100 artists: a visionary journey along Border Wall aesthetics.
Anne Thurmann-Jajes
/
Regine Beyer
(eds.)
Listen Up!
Radio Art in the USA
The first publication worldwide on US-American Radio Art, with analytical essays, manifestos, text documents, and evocative images.
Artistic Transfer
Efficiency Through Unruly Thinking
When unruly thought is circulated and probed in non-artistic fields, an extremely efficient pattern emerges: the »artistic transfer«.
Musical Practice as a Form of Life
How Making Music Can be Meaningful and Real
Musical practice as an activity (but also letting things happen) becomes a reality itself – pointing out to realities and possibilities in everyday life.
Empty Action
Labour and Free Time in the Art of Collective Actions
The first monograph on the artistic group Collective Actions, which has significantly influenced and formed the Russian branch of Conceptual Art, provides a ground-breaking analysis of their notion of 'Empty Action' in terms of 'art after work'.
Pictorial Appearing
Image Theory After Representation
What are images? How do they appear? And what do they do to us? On the concept of "pictorial appearing" and what difference it makes.