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Emese Kürti
/
Zsuzsa László
(eds.)
What Will Be Already Exists
Temporalities of Cold War Archives in East-Central Europe and Beyond
An analysis of the challenge of continuity, sustainability, and institutionalization of archives established by East European artists, how they survive and stay authentic in radically changed contexts.
Ursula Damm
/
Mindaugas Gapsevicius
(eds.)
Shared Habitats
A Cultural Inquiry into Living Spaces and Their Inhabitants
»Shared Habitats« invites the reader to rethink the role of art and the role of the artist within umwelts, milieus, and habitats.
Ewa Partum's Artistic Practice
An Atlas of Continuity in Different Locations
The book examines and questions Ewa Partum's artistic practice and historicizes its dissemination in various geopolitical locations.
Taking Stakes in the Unknown
Tracing Post-Black Art
What does it mean to be Black in the early 21st Century? This question guided an art exhibition that deeply shaped our perspective on Black art and artists today.
Alleviative Objects
Intersectional Entanglement and Progressive Racism in Caribbean Art
Alleviative Objects approaches Caribbean art through the analysis of intersectional entanglements and offers important insight into inter-racial conflicts that shape the global field of contemporary art today.
Gabriel N. Gee
/
Caroline Wiedmer
(eds.)
Maritime Poetics
From Coast to Hinterland
An alternate construction of the imaginaries and aspirations of our present societies at the crossroads of sea and land.
Aesthetic Temporalities Today
Present, Presentness, Re-Presentation
The volume deals with the present, its plural conditions, and global meanings in visual culture, art, and aesthetics from the 18th century until today.
Beyond the Mirror
Seeing in Art History and Visual Culture Studies
The first study to reveal and compare the concepts of vision that underwrite the scholarly act of seeing in art history and visual culture studies.
Let Them Haunt Us
How Contemporary Aesthetics Challenge Trauma as the Unrepresentable
»Let Them Haunt Us« analyzes contemporary aesthetics engaged in trauma and challenges its canonical status as »unrepresentable«.
Berthold Over
/
Gesa zur Nieden
(eds.)
Operatic Pasticcios in 18th-Century Europe
Contexts, Materials and Aesthetics
The musical pastiche of the 18th century reconsidered in a collection of musicological and interdisciplinary essays, written by renowned specialists.