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Curating Contemporary Music Festivals
A New Perspective on Music's Mediation
What does it mean to curate contemporary music festivals, and how can the concept be used to re-imagine the very premise of contemporary music itself?
Matej Santi
/
Elias Berner
(eds.)
Music – Media – History
Re-Thinking Musicology in an Age of Digital Media
Music and sound shape the emotional content of audio-visual media. How would history be told if audio-visual documents were used as primary sources?
Tobias Janz
/
Chien-Chang Yang
(eds.)
Decentering Musical Modernity
Perspectives on East Asian and European Music History
A book about the multifaceted concept of musical modernity in Europe and Asia, investigating its many forms, expressions and interpretations.
Glaucia Peres da Silva
/
Konstantin Hondros
(eds.)
Music Practices Across Borders
(E)Valuating Space, Diversity and Exchange
Music across borders – (e)valuating transnational music practices looking at space, diversity, and exchange.
Musical Practice as a Form of Life
How Making Music Can be Meaningful and Real
Musical practice as an activity (but also letting things happen) becomes a reality itself – pointing out to realities and possibilities in everyday life.
Anonymity Performance in Electronic Pop Music
A Performance Ethnography of Critical Practices
Critical anonymity performance in electronic pop music calls for experimental research and writing towards a performance ethnography of music culture.
Mario Dunkel
/
Sina A. Nitzsche
(eds.)
Popular Music and Public Diplomacy
Transnational and Transdisciplinary Perspectives
From Jazz to Hip-Hop – This book illuminates the use of popular music in international relations and its repercussions from the 20th century until the present.
Reinhard Gagel
/
Matthias Schwabe
(Hg./eds.)
Improvisation erforschen – improvisierend forschen / Researching Improvisation – Researching by Improvisation
Beiträge zur Exploration musikalischer Improvisation / Essays About the Exploration of Musical Improvisation
Über die Potenziale musikalischer Improvisation: Reflexionen aus ästhetischen, kulturellen und pädagogischen Perspektiven sowie zum Improvisieren als Methode künstlerischer Forschung.
Martha Brech
/
Ralph Paland
(Hg./eds.)
Kompositionen für hörbaren Raum / Compositions for Audible Space
Die frühe elektroakustische Musik und ihre Kontexte / The Early Electroacoustic Music and its Contexts
The volume examines the world of early spatial electroacoustic compositions, their technology and contexts. / Der Band erforscht die Welt früher akustischer Raummusik, ihre Technologie und Kontexte.
Karin Bijsterveld
(ed.)
Soundscapes of the Urban Past
Staged Sound as Mediated Cultural Heritage
What's the sound of the past? This volume presents a collection of studies on the staging of urban soundscapes in historical texts, radio plays and films, with reflections on sound theory and museum practice.