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Musical Composition in the Context of Globalization
New Perspectives on Music History in the 20th and 21st Century
This book provides a deeper understanding of how processes of globalization, cultural exchange, and transformation are reflected in new musical structures, sounds, and communication.
Curating Contemporary Music Festivals
A New Perspective on Music's Mediation
What does it mean to curate contemporary music festivals, and how can the concept be used to re-imagine the very premise of contemporary music itself?
Matej Santi
/
Elias Berner
(eds.)
Music – Media – History
Re-Thinking Musicology in an Age of Digital Media
Music and sound shape the emotional content of audio-visual media. How would history be told if audio-visual documents were used as primary sources?
Tobias Janz
/
Chien-Chang Yang
(eds.)
Decentering Musical Modernity
Perspectives on East Asian and European Music History
A book about the multifaceted concept of musical modernity in Europe and Asia, investigating its many forms, expressions and interpretations.
Glaucia Peres da Silva
/
Konstantin Hondros
(eds.)
Music Practices Across Borders
(E)Valuating Space, Diversity and Exchange
Music across borders – (e)valuating transnational music practices looking at space, diversity, and exchange.
Musical Practice as a Form of Life
How Making Music Can be Meaningful and Real
Musical practice as an activity (but also letting things happen) becomes a reality itself – pointing out to realities and possibilities in everyday life.
Anonymity Performance in Electronic Pop Music
A Performance Ethnography of Critical Practices
Critical anonymity performance in electronic pop music calls for experimental research and writing towards a performance ethnography of music culture.
Mario Dunkel
/
Sina A. Nitzsche
(eds.)
Popular Music and Public Diplomacy
Transnational and Transdisciplinary Perspectives
From Jazz to Hip-Hop – This book illuminates the use of popular music in international relations and its repercussions from the 20th century until the present.
Reinhard Gagel
/
Matthias Schwabe
(Hg./eds.)
Improvisation erforschen – improvisierend forschen / Researching Improvisation – Researching by Improvisation
Beiträge zur Exploration musikalischer Improvisation / Essays About the Exploration of Musical Improvisation
Über die Potenziale musikalischer Improvisation: Reflexionen aus ästhetischen, kulturellen und pädagogischen Perspektiven sowie zum Improvisieren als Methode künstlerischer Forschung.
Martha Brech
/
Ralph Paland
(Hg./eds.)
Kompositionen für hörbaren Raum / Compositions for Audible Space
Die frühe elektroakustische Musik und ihre Kontexte / The Early Electroacoustic Music and its Contexts
The volume examines the world of early spatial electroacoustic compositions, their technology and contexts. / Der Band erforscht die Welt früher akustischer Raummusik, ihre Technologie und Kontexte.