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Johannes Salim Ismaiel-Wendt
/
Andi Schoon
(eds.)
Postcolonial Repercussions
On Sound Ontologies and Decolonised Listening
Exploring opportunities, perspectives and the (im)possibility of decolonised listening.
The Discourse Community of Electronic Dance Music
A revolutionary study on the discourse community of electronic dance music, applying a mixed methodology of linguistics and cultural studies.
Sarah Chaker
/
Axel Petri-Preis
(eds.)
Tuning up! The Innovative Potential of Musikvermittlung
This anthology sheds light on the manifold innovative potential of Musikvermittlung for current concert life, (higher) music education, research and social life.
Musical Composition in the Context of Globalization
New Perspectives on Music History in the 20th and 21st Century
This book provides a deeper understanding of how processes of globalization, cultural exchange, and transformation are reflected in new musical structures, sounds, and communication.
Curating Contemporary Music Festivals
A New Perspective on Music's Mediation
What does it mean to curate contemporary music festivals, and how can the concept be used to re-imagine the very premise of contemporary music itself?
Matej Santi
/
Elias Berner
(eds.)
Music – Media – History
Re-Thinking Musicology in an Age of Digital Media
Music and sound shape the emotional content of audio-visual media. How would history be told if audio-visual documents were used as primary sources?
Tobias Janz
/
Chien-Chang Yang
(eds.)
Decentering Musical Modernity
Perspectives on East Asian and European Music History
A book about the multifaceted concept of musical modernity in Europe and Asia, investigating its many forms, expressions and interpretations.
Glaucia Peres da Silva
/
Konstantin Hondros
(eds.)
Music Practices Across Borders
(E)Valuating Space, Diversity and Exchange
Music across borders – (e)valuating transnational music practices looking at space, diversity, and exchange.
Musical Practice as a Form of Life
How Making Music Can be Meaningful and Real
Musical practice as an activity (but also letting things happen) becomes a reality itself – pointing out to realities and possibilities in everyday life.
Anonymity Performance in Electronic Pop Music
A Performance Ethnography of Critical Practices
Critical anonymity performance in electronic pop music calls for experimental research and writing towards a performance ethnography of music culture.