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Ivana Pilic
/
Anne Wiederhold-Daryanavard
(eds.)
Art Practices in the Migration Society
Transcultural Strategies in Action at Brunnenpassage in Vienna
How do artistic productions do justice to the population in its heterogeneity? The handbook stands for a paradigm shift in the cultural sector.
Taking Stakes in the Unknown
Tracing Post-Black Art
What does it mean to be Black in the early 21st Century? This question guided an art exhibition that deeply shaped our perspective on Black art and artists today.
Aesthetic Temporalities Today
Present, Presentness, Re-Presentation
The volume deals with the present, its plural conditions, and global meanings in visual culture, art, and aesthetics from the 18th century until today.
Beyond the Mirror
Seeing in Art History and Visual Culture Studies
The first study to reveal and compare the concepts of vision that underwrite the scholarly act of seeing in art history and visual culture studies.
Let Them Haunt Us
How Contemporary Aesthetics Challenge Trauma as the Unrepresentable
»Let Them Haunt Us« analyzes contemporary aesthetics engaged in trauma and challenges its canonical status as »unrepresentable«.
Darcy White
/
Chris Goldie
(eds.)
Proximity and Distance in Northern Landscape Photography
Contemporary Criticism, Curation and Practice
Proximity and embodied experience or distance and critical engagement? Photographers, critics, curators explore the contemporary northern landscape.
Border Wall Aesthetics
Artworks in Border Spaces
Through the eyes of 100 artists: a visionary journey along Border Wall aesthetics.
Portraits of Automated Facial Recognition
On Machinic Ways of Seeing the Face
The visuality of automated facial recognition algorithms and the embedded relationships of culture and technology – an interdisciplinary approach.
Artistic Transfer
Efficiency Through Unruly Thinking
When unruly thought is circulated and probed in non-artistic fields, an extremely efficient pattern emerges: the »artistic transfer«.
Empty Action
Labour and Free Time in the Art of Collective Actions
The first monograph on the artistic group Collective Actions, which has significantly influenced and formed the Russian branch of Conceptual Art, provides a ground-breaking analysis of their notion of 'Empty Action' in terms of 'art after work'.