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Common Image
Towards a Larger Than Human Communism
A notion of the common image, understood as a multisensory perception across species, and common ethics that transcend species-bound ways of living.
Electric Seeing
Positions in Contemporary Video Art
A video theory from the technological outset and the desire for »electric seeing« in the 19th century until today's ubiquitous video practice.
Emese Kürti
/
Zsuzsa László
(eds.)
What Will Be Already Exists
Temporalities of Cold War Archives in East-Central Europe and Beyond
An analysis of the challenge of continuity, sustainability, and institutionalization of archives established by East European artists, how they survive and stay authentic in radically changed contexts.
Ursula Damm
/
Mindaugas Gapsevicius
(eds.)
Shared Habitats
A Cultural Inquiry into Living Spaces and Their Inhabitants
»Shared Habitats« invites the reader to rethink the role of art and the role of the artist within umwelts, milieus, and habitats.
Ivana Pilic
/
Anne Wiederhold-Daryanavard
(eds.)
Art Practices in the Migration Society
Transcultural Strategies in Action at Brunnenpassage in Vienna
How do artistic productions do justice to the population in its heterogeneity? The handbook stands for a paradigm shift in the cultural sector.
Ewa Partum's Artistic Practice
An Atlas of Continuity in Different Locations
The book examines and questions Ewa Partum's artistic practice and historicizes its dissemination in various geopolitical locations.
Taking Stakes in the Unknown
Tracing Post-Black Art
What does it mean to be Black in the early 21st Century? This question guided an art exhibition that deeply shaped our perspective on Black art and artists today.
Aesthetic Temporalities Today
Present, Presentness, Re-Presentation
The volume deals with the present, its plural conditions, and global meanings in visual culture, art, and aesthetics from the 18th century until today.
Beyond the Mirror
Seeing in Art History and Visual Culture Studies
The first study to reveal and compare the concepts of vision that underwrite the scholarly act of seeing in art history and visual culture studies.
Tillmann Damrau
(ed.)
Presence, Process, and the Pictorial Real
Perspectives on Painting
Painting proved to be an extremely robust and versatile medium of human self-reflection and is still relevant to contemporary image production.