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Henriette Gunkel
/
kara lynch
(eds.)
We Travel the Space Ways
Black Imagination, Fragments, and Diffractions
This book provides a conversation about black visioning of a future between Africa, Europe, and the Americas.
Emerging Affinities – Possible Futures of Performative Arts
Emerging Affinities connects disciplines and discourses to investigate the future of performative forms.
Border Wall Aesthetics
Artworks in Border Spaces
Through the eyes of 100 artists: a visionary journey along Border Wall aesthetics.
Artistic Transfer
Efficiency Through Unruly Thinking
When unruly thought is circulated and probed in non-artistic fields, an extremely efficient pattern emerges: the »artistic transfer«.
Musical Practice as a Form of Life
How Making Music Can be Meaningful and Real
Musical practice as an activity (but also letting things happen) becomes a reality itself – pointing out to realities and possibilities in everyday life.
Empty Action
Labour and Free Time in the Art of Collective Actions
The first monograph on the artistic group Collective Actions, which has significantly influenced and formed the Russian branch of Conceptual Art, provides a ground-breaking analysis of their notion of 'Empty Action' in terms of 'art after work'.
Pictorial Appearing
Image Theory After Representation
What are images? How do they appear? And what do they do to us? On the concept of "pictorial appearing" and what difference it makes.
Digital Image Systems
Photography and New Technologies at the Düsseldorf School
Artistic responses: How digital technologies influenced the photographic work of Thomas Ruff, Andreas Gursky and Jörg Sasse.
Chris Goldie
/
Darcy White
(eds.)
Northern Light
Landscape, Photography and Evocations of the North
This timely book explores how Northern landscapes in photography are shaped by imagination and lived experience as well as given meaning through history and culture.
Situating Global Art
Topologies – Temporalities – Trajectories
Since the early 1990s, the term "Global Art" has gone hand in hand with an expansion of the canon while not always reflecting the plurality of art worlds. This volume interrogates contemporary practices of art, curating, historiography and criticism with regard to their transcultural situatedness.