Gesa zur Nieden

Gesa zur Nieden (Prof. Dr.), born in 1978, teaches musicology at the University of Greifswald and at the Hanover University of Music, Drama and Media. Her research and publications focus on the early modern musicians mobility, on spaces and buildings for music, on intermedial dimensions of music and on the reception of Wagner after 1945.

transcript-Publications in the Research Fields: Art and Visual Studies, Cultural History, Cultural History, Cultural Sociology, Cultural Studies, History, History of Fine Arts, Musicology, Musicology and Sound Studies, Sociology

Publications in the Series: Mainz Historical Cultural Sciences, Music and Sound Culture

Publications

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Operatic Pasticcios in 18th-Century Europe
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Berthold Over / Gesa zur Nieden (eds.)
Operatic Pasticcios in 18th-Century Europe

Contexts, Materials and Aesthetics

The musical pastiche of the 18th century reconsidered in a collection of musicological and interdisciplinary essays, written by renowned specialists.
Musicians' Mobilities and Music Migrations in Early Modern Europe
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€34.99
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Gesa zur Nieden / Berthold Over (eds.)
Musicians' Mobilities and Music Migrations in Early Modern Europe

Biographical Patterns and Cultural Exchanges

In the book musicologists and historians examine music migrations between elite and everyday musicians' mobilities during the 17th and 18th centuries.

Book Chapter

  1. Besatzungsmacht Musik

    Verdrängen durch Überspielen

     Seiten 255 - 278

  2. Musik und Narration

    »Ich Pendle Zwischen Kapellmeister, Professor Und Hie Und Da Exzellenz«

     Seiten 111 - 134

  3. Musicians' Mobilities and Music Migrations in Early Modern Europe

    Frontmatter

     Seite 1

  4. Editorial

     Seiten 2 - 4

  5. Content

     Seiten 5 - 8

  6. Preface

     Seiten 9 - 10

  7. Roads "which are commonly wonderful for the musicians" - Early Modern Times Musicians' Mobility and Migration

     Seiten 11 - 32

  8. List of Contributors

     Seiten 403 - 408

  9. Index of Persons

     Seiten 409 - 424

  10. Index of Places

     Seiten 425 - 428

  11. Transkulturelle Mehrfachzugehörigkeit als kulturhistorisches Phänomen

    Jeux charmants

     Seiten 39 - 58

  12. Popular Music and Public Diplomacy

    From Sons of Gastarbeita to Songs of Gastarbeiter

     Seiten 277 - 300

  13. Operatic Pasticcios in 18th-Century Europe

    Frontmatter

     Seite 1

  14. Editorial

     Seiten 2 - 4

  15. Content

     Seiten 5 - 8

  16. Introduction

     Seiten 9 - 26

  17. Between Dwarfs and Giants. Aesthetics of the Pasticcio between London and Hamburg

     Seiten 153 - 178

  18. Italian operisti, Repertoire and the aria di baule: Insights from the Pirker Correspondence

     Seiten 271 - 284

  19. List of Contributors

     Seiten 761 - 770

  20. Index of Persons

     Seiten 771 - 790

  21. Index of Places

     Seiten 791 - 798

  22. Musikgeschichte auf der Bühne - Performing Music History

    Nicht hinter der Note, sondern die Note selbst

     Seiten 337 - 354

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