Sigrid Schade

Sigrid Schade (Prof. Dr.) studied between 1973 and 1977 Art History, German Studies and Empirical Cultural Sciences at the University of Tübingen and the Warburg Institute in London. She took her doctorate in 1982 with a thesis on »Representations of witches in the Early Modern period«. She was a volunteer at the Staatliche Sammlungen [National Collections] in Kassel and has lectured at the universities of Marburg, Kassel, Zurich and Bern. From 1986-91 she was a Research Assistent at TU Berlin and from 1991-93 at the Institute for Advanced Study in the Humanities (KWI) in Essen. Following positions as a visiting and temporary professor at the University of Tübingen and Humboldt University in Berlin, Sigrid Schade qualified as a Professor in 1994, with a treatise on »Körperbilder und ihre Lektüren. Studien zum Einsatz von Körpersprachen in Kunst und Fotografie des 16. bis 20. Jahrhunderts« [Body images and their readings. Studies on the use of body languages in art and photography from the 16th to the 20th century] at the University of Oldenburg. From 1994 to 2004, as Professor of Art History and Aesthetic Theory, she taught Cultural Sciences at the University of Bremen (given leave for the last two years). In 2002 she was appointed Head of the newly founded Institute for Cultural Studies in the Arts at HGKZ and developed the concept for its remit. Until the merger which created Zurich University of the Arts, she was also responsible for the Museum für Gestaltung (Design) in Zurich and its collections, which she helped to restructure. Focus areas for her own research include the interaction between old and new media in art and mass culture, theories of media, perception and memory, concepts and theory development in visual culture and cultural analysis, the history and discourse analysis of art institutions and the art business, and contemporary female artists.

Series Editor: Studien zur visuellen Kultur

transcript-Publications in the Research Fields: Art and Visual Studies, Art Theory, Cultural Studies, Cultural Studies, Film, Photo, and Analog Media, Media History, Media Studies, Visual Theory

Publications in the Series: MediaAnalysis, Studien zur visuellen Kultur

Web: Zürcher Hochschule der Künste
Institute for Cultural Studies in the Arts

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Constructions of Cultural Identities in Newsreel Cinema and Television after 1945
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Constructions of Cultural Identities in Newsreel Cinema and Television after 1945
Shaping the politico-cultural public spheres in post-war Europe, newsreel cinema and television to date remains a potent medium of archiving and staging cultural and national identities.

Book Chapter


  1. Grenzgänge zwischen den Künsten

    Frontmatter

    Seiten 1 - 4
  2. Inhalt

    Seiten 5 - 6
  3. Grenzgänge und Interventionen

    Seiten 7 - 14
  4. Zu den »unreinen« Quellen der Moderne. Materialität und Medialität bei Kandinsky und Malewitsch

    Seiten 35 - 62
  5. Biografien

    Seiten 193 - 197
  6. Backmatter

    Seite 198

  7. Studien zur visuellen Kultur

    Frontmatter

    Seiten 1 - 4
  8. Inhalt

    Seiten 5 - 6
  9. Einleitung

    Seiten 7 - 12
  10. I. Begegnungen mit Bildern

    Seiten 13 - 34
  11. II. Warum und wozu »Studien zur visuellen Kultur«?

    Seiten 35 - 64
  12. III. Sehen, Lesen, Deuten

    Seiten 65 - 142
  13. IV. Von der Kritik der Institution zur Analyse des kulturellen Feldes

    Seiten 143 - 176
  14. Bibliographie

    Seiten 177 - 216
  15. Abbildungsnachweise

    Seiten 217 - 222
  16. Namensregister

    Seiten 223 - 231
  17. Backmatter

    Seite 232

  18. Der Surrealismus in der Mediengesellschaft - zwischen Kunst und Kommerz

    Die Medien/Spiele der Puppe - Vom Mannequin zum Cyborg

    Seiten 113 - 126

  19. Sehen - Macht - Wissen

    Zwischen Einfühlung und Analyse. Zur Tradierung von Affektgestaltung und einigen Motiven in der aktuellen Warburg-Rezeption

    Seiten 143 - 156

  20. Constructions of Cultural Identities in Newsreel Cinema and Television after 1945

    Frontmatter

    Seiten 1 - 4
  21. Contents

    Seiten 5 - 6
  22. Introduction: Constructions of Cultural Identities in Newsreel Cinema and Television after 1945

    Seiten 7 - 20
  23. Authors

    Seiten 225 - 230

  24. ZEICH(N)EN. SETZEN.

    Ver/störende Zeichensetzung. Die Sichtbarmachung und Entnaturalisierung der Zeichenzirkulation in Birgit Jürgenssens künstlerischen Spielen zwischen Wort und Bild

    Seiten 185 - 206

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