David Frohnapfel

David Frohnapfel studied art history, comparative literature, and religious studies at Ludwig-Maximilians-Universität in Munich and at the Universidad de la Habana in Havana. He works on contemporary art and visual culture from the Caribbean region and defended his dissertation, Disobedient Musealities. Dialogue and Conflict in the Art Scene of Port-au-Prince, at Freie Universität Berlin in 2017. His research focuses on decolonial theory, critical race theory, critical whiteness studies, and affect theory. He also worked as curator of The 3rd Ghetto Biennale: Decentering the Market and Other Tales of Progress in Port-au-Prince together with Leah Gordon, André Eugène, and Jean Herald Celeur, and curated the exhibition NOCTAMBULES on Queer Visualities on the occasion of Le Forum Transculturel d'Art Contemporain.

transcript-Publications in the Research Fields: Art and Visual Studies, Cultural Studies, History of Fine Arts, Museum, Museum Management and Exhibition Practice, Postcolonial Studies

Publications in the Series: Postcolonial Studies

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Alleviative Objects
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Alleviative Objects

Intersectional Entanglement and Progressive Racism in Caribbean Art

Alleviative Objects approaches Caribbean art through the analysis of intersectional entanglements and offers important insight into inter-racial conflicts that shape the global field of contemporary art today.

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