
Brandon Farnsworth
ORCID:0000-0001-9095-2360
Brandon Farnsworth, born in 1991, works as an independent music curator, and as a research associate at the Zurich University of the Arts, where he also studied classical music performance and transdisciplinary studies. He pursued his doctoral degree in historical musicology at the University of Music Carl Maria von Weber Dresden, and was an affiliated researcher with the joint »Epistemologies of Aesthetic Practice« doctoral program at the Collegium Helveticum. His research focuses on the intersection of performance and curatorial studies, and strives for a global perspective.
transcript-Publications in the Research Fields: Cultural Management, Cultural Management, Museum, Museum Management and Exhibition Practice, Musicology, Musicology and Sound Studies
Publications in the Series: Music and Sound Culture
Publications
Book Chapter
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Curating Contemporary Music Festivals
Frontmatter
Seiten 1 - 4 -
Contents
Seiten 5 - 8 -
Image and Figure Rights
Seiten 9 - 10 -
1.1 Establishing the Field
Seiten 11 - 15 -
1.2 The State of the Art
Seiten 15 - 23 -
1.3 Scope and Overview
Seiten 23 - 28 -
2.1 Introduction
Seiten 29 - 40 -
2.2 The Anatomy of Festivals and Biennales
Seiten 40 - 60 -
2.3 Curating Biennales
Seiten 61 - 80 -
2.4 Curatorial Discourse
Seiten 80 - 94 -
2.5 Conclusion
Seiten 94 - 96 -
3.1 Introduction
Seiten 97 - 98 -
3.2 Reading Shannon Jackson
Seiten 98 - 111 -
3.3 Curating Dance / Dance Curating
Seiten 111 - 124 -
3.4 Curating Theatre / Theatre Curating
Seiten 124 - 136 -
3.5 Conclusion
Seiten 136 - 138 -
4.1 Introduction
Seiten 139 - 141 -
4.2 Hans Werner Henze
Seiten 141 - 145 -
4.3 Music Theatre?
Seiten 145 - 148 -
4.4 Peter Ruzicka
Seiten 148 - 162 -
4.5 Daniel Ott and Manos Tsangaris (DOMTS)
Seiten 162 - 169 -
4.6 The 2016 and 2018 Biennale Editions
Seiten 169 - 180 -
4.7 Compositional and Curatorial Practices
Seiten 180 - 203 -
4.8 The Munich Biennale in Numbers.
Seiten 203 - 215 -
4.9 Conclusion
Seiten 216 - 218 -
5.1 Introduction
Seiten 219 - 222 -
5.2 A Brief Prehistory to the Maerzmusik Festival
Seiten 222 - 228 -
5.3 Maerzmusik 2002–2014
Seiten 228 - 230 -
5.4 Berno Odo Polzer
Seiten 230 - 247 -
5.5 2017 Opening Concert: Julius Eastman
Seiten 247 - 257 -
5.6 Storytelling for Earthly Survival
Seiten 258 - 268 -
5.7 Curating and the Maerzmusik Festival
Seiten 268 - 273 -
5.8 Decolonizing Time
Seiten 273 - 277 -
5.9 Conclusion/Coda/Konzertemacher
Seiten 277 - 280 -
6. Conclusion/Curating Music
Seiten 281 - 288 -
Bibliography
Seiten 289 - 310 -
Appendix: List of Productions at the Munich Biennale for New Music Theatre from 1988–2018
Seiten 311 - 326