Tuning up! The Innovative Potential of Musikvermittlung
Professional musicians who perform in hospitals, retirement homes and prisons, creatively stimulated by the residents; babies crawling over exercise mats, enjoying classical music together with their parents; concert-goers who take their seats between the musicians in order to experience music up close with all their senses – the opportunities to make and experience music are almost unlimited. Various actors in the field of classical music have taken this as a chance to develop a wide range of new artistic and educational practices over the last two decades, aiming to facilitate in-depth aesthetic experiences, to diversify and bond with audiences and to encourage active cultural participation. The contributors focus on the innovative potential of Musikvermittlung as a social bridge-builder for concert life, (higher) music education, research and social life.
Overview Chapters
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Frontmatter
Seiten 1 - 4 -
Contents
Seiten 5 - 6 -
Preface
Seiten 7 - 8 -
Welcome Notes
Seiten 9 - 10 -
Musikvermittlung and Its Innovative Potential
Seiten 11 - 38 -
Listening Twice to Bernhard Gander's "Peter Parker"
Seiten 39 - 46 -
The Big Bang of Musikvermittlung
Seiten 47 - 70 -
On the Translation of Music
Seiten 71 - 92 -
Slam Poetry Meets Classical Music
Seiten 93 - 96 -
Under a Preservation Order?
Seiten 97 - 114 -
The Promotion of Pleasure in Individual Perception
Seiten 115 - 120 -
Musikvermittlung as Everyday Practice
Seiten 121 - 130 -
Practical Intelligence and the Limitations of Practitioners
Seiten 131 - 150 -
Engaging with New Audiences
Seiten 151 - 168 -
Hear – Taste – See: UISGE BEATHA – Waters of Life
Seiten 169 - 178 -
Artful Innovation
Seiten 179 - 198 -
Just join in? Audience Participation in Classical Contemporary Music
Seiten 199 - 216
9 February 2022, 216 pages
ISBN: 978-3-8376-5681-7
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