Genealogy of Popular Science
From Ancient Ecphrasis to Virtual Reality
Despite the efforts of modern scholars to explain the origins of science communication as a social, rhetorical, and aesthetic phenomenon, most researchers approach the popularization of science from the perspective of present issues, thus ignoring its historical roots in classical culture along with its continuities, disruptions, and transformations.
This volume fills this research gap with a genealogically reflected introduction into the popularization of science as a recurrent cultural technique. The category »popular science« is elucidated in interdisciplinary and diachronic dialogue, discussing case studies from all historical periods.
Classicists, archaeologists, medievalists, art historians, sociologists, and historians of science provide the first diachronic and multi-layered approach to the rhetoric techniques, aesthetics, and societal conditions that have shaped the dissemination and reception of scientific knowledge.
Overview Chapters
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Frontmatter
Seiten 1 - 4 -
Contents
Seiten 5 - 8 -
List of Figures
Seiten 9 - 12 -
Preface
Seiten 13 - 20 -
Introductory Articles
The Origins of Popular Science as a Rhetorical and Protreptical Practice
Seiten 23 - 64 -
From Rational Recreation to Fun with Science. Continuities in the History of Science Popularization since the Enlightenment
Seiten 65 - 92 -
On the Trail of Popular Science in Antiquity
Mythology and Rhetoric Exercises at the Greek School
Seiten 95 - 114 -
The Panathenaic Prize-Amphorae as Communication Media
Seiten 115 - 130 -
Popular Knowledge and its Rhetorical Use in Aristotle
Seiten 131 - 150 -
Ékphrasis as a Device for Knowledge Dissemination in Euripides
Seiten 151 - 164 -
Argument Schemes Related to Popular Science in the Second Sophistic
Seiten 165 - 178 -
Knowledge about the Sea and its Creatures in the Roman Empire
Seiten 179 - 214 -
The Celestial Axis in Manilius' Astronomica: Making the Invisible Visible
Seiten 215 - 228 -
Between Pre-Modernity and the Age of Enlightenment
Popular Mechanics: Hero of Alexandria from Antiquity to the Renaissance
Seiten 231 - 254 -
Knowledge Order and Knowledge Popularization in Pre-Modern Encyclopaedism
Seiten 255 - 284 -
Was Cometen eygentlich seyen.* Ways of Imparting Knowledge about the Nature of Comets in Early Modern Ephemeral Literature
Seiten 285 - 314 -
More Publicity through Very Short Books. Epitomes in Late Antiquity and the Renaissance
Seiten 315 - 344 -
Pictorial Science and Enlightenment Art: Joseph Wright, William Pether, and the Cognitive Effect of Grayscales
Seiten 345 - 364 -
Modern Times: Arts and Sciences and Media
Popularity Despite Anti-Popularization Thinking of Optical Drawing Devices in the Early 19th Century
Seiten 367 - 390 -
Wilhelm Lübke. Art History for Feuilletons
Seiten 391 - 406 -
Popular Aesthetics of the 19th Century. Ornamental Prints and Pattern Sheets as Actors for Popularization During the 1870s
Seiten 407 - 424 -
Wassily Kandinsky's Conception of a Vibration of the Soul: Art Theory at the Crossroads of Esoteric Literature, Popular Science, and Aesthetics
Seiten 425 - 440 -
Visual Nature Metaphors of Cybernetics in Popular Science and the Arts
Seiten 441 - 460 -
From "The Destroyer of Worlds" to "Atoms for Peace" (and Back?). The Discourse on Nuclear Power in US Popular Science Magazines during the Early Cold War Era
Seiten 461 - 476 -
Iconophilia of the Brain, Stage 3? An Epistemic Regime, the Popular Science Magazine Gehirn & Geist, and Visual Culture
Seiten 477 - 496 -
Watch and Learn! Image-Based Popularization of Academic Reasoning and Scientific Action in Fictional Movies and Comics
Seiten 497 - 516 -
Innovative Popular Science Communication? Materiality, Aesthetics, and Gender in Science Slams
Seiten 517 - 544 -
Epilogue
On Honey, VR Goggles, and Real Medicine
Seiten 547 - 552 -
About the Authors
Seiten 553 - 558 -
Index of Names and Terms
Seiten 559 - 586
24 November 2020, 586 pages
ISBN: 978-3-8376-4835-5
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