»Ich bin eine Kanackin«
Decolonizing Popfeminism – Transcultural Perspectives on Lady Bitch Ray
Pinar Tuzcu explores rapper Lady Bitch Ray's performance and particularly her use of the term Kanackin. She combines issues of popfeminism and postmigration through speculative methodology and invites us to forget prescriptive definitions by proposing paradoxicality as a source to diversify our concepts of feminism. By means of Situational Analysis, her study works through the contradictory forms of positioning that occurred in group discussions with Turkish-German university students about Lady Bitch Ray's music videos. In this book, Tuzcu argues that these contradictory forms of positioning bear traces of emergent discourses that reach beyond Western-centric descriptions of feminism in Germany.
FrontmatterSeiten 1 - 4
Table of ContentsSeiten 5 - 6
IntroductionSeiten 7 - 28
"Ich bin ʼne Kanackin"Seiten 29 - 62
Situational Analysis of the Group DiscussionsSeiten 63 - 94
Not Yet A Code-Transcultural Locational FeminismSeiten 95 - 152
ConclusionSeiten 153 - 158
BibliographySeiten 159 - 192
1 March 2017, 192 pages
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