Musicians' Mobilities and Music Migrations in Early Modern Europe
Biographical Patterns and Cultural Exchanges
During the 17th and 18th century musicians' mobilities and migrations are essential for the European music history and the cultural exchange of music. Adopting viewpoints that reflect different methodological approaches and diversified research cultures, the book presents studies on central scopes, strategies and artistic outcomes of mobile and migratory musicians as well as on the transfer of music. By looking at elite and non-elite musicians and their everyday mobilities to major and minor centers of music production and practice, new biographical patterns and new stylistic paradigms in the European East, West and South emerge.
Overview Chapters
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Frontmatter
Seite 1 -
Editorial
Seiten 2 - 4 -
Content
Seiten 5 - 8 -
Preface
Seiten 9 - 10 -
Roads "which are commonly wonderful for the musicians" - Early Modern Times Musicians' Mobility and Migration
Seiten 11 - 32 -
Between Collective Biography and Biography: Cultural-Historical Approaches to Musicians' Migrations in the Early Modern Age
Migration and Biography The Case of Agostino Steffani
Seiten 35 - 50 -
"try it elsewhere [...]" - Konrad Hagius and Musician's Mobility in Early Modern Times in Light of Local and Regional Profile
Seiten 51 - 72 -
Competition at the Catholic Court of Munich Italian Musicians and Family Networks
Seiten 73 - 90 -
From Munich to 'Foreign' Lands and Back Again Relocation of the Munich Court and Migration of Musicians (c. 1690-1715)
Seiten 91 - 134 -
Migratory and Traveling Musicians at the Polish Royal Courts in the 17th Century The Case of Kaspar Förster the Younger
Seiten 135 - 150 -
Foreign Musicians at the Polish Court in the Eighteenth Century The Case of Pietro Mira
Seiten 151 - 170 -
Luka Sorgo - a Nobleman and Composer from Dubrovnik
Seiten 171 - 184 -
MUSICI and MusMig Continuities and Discontinuities
Seiten 185 - 204 -
Sources of Musicians' Migrations Between Court and City
Musical Travels Sources of Musicians' Tours and Migrations in the Seventeenth and Eighteenth Century
Seiten 207 - 226 -
"… und bißhero mein Glück in der Welt zu suchen …" - Notes on the Biography of Jonas Friederich Boenicke
Seiten 227 - 240 -
The Russian Experience The Example of Filippo Balatri
Seiten 241 - 254 -
Soloists of the Opera Productions in Brno, Holešov, Kroměříž and Vyškov Italian Opera Singers in Moravian Sources c. 1720-1740 (Part I)
Seiten 255 - 274 -
Vienna Kärntnertortheater Singers in the Letters from Georg Adam Hoffmann to Count Johann Adam von Questenberg Italian Opera Singers in Moravian Sources c. 1720-1740 (Part II)
Seiten 275 - 292 -
Dissemination and Transfer of Music and Music Theory Between Copies, Adaptations and References
Estienne Roger's Foreign Composers
Seiten 295 - 310 -
From "Sonate a quattro" to "Concertos in Seven Parts" The Acclimatization of Two Compositions by Francesco Scarlatti
Seiten 311 - 322 -
Spread of Italian Libretti Maria Clementina Sobieska Stuart - a Patron of Roman Operas
Seiten 323 - 340 -
Migrations of Musical Repertoire The Attems Music Collection from Around 1744
Seiten 341 - 378 -
The Case of Juraj Križanić (1619-1683?) - His Texts on Music. From Artefacts to Cultural Study (Croatian Writers on Music and The Transfer of Ideas in Their New Environments)
Seiten 379 - 388 -
People and Places in a (Music) Source. A Case Study of Giuseppe Michele Stratico and His Theoretical Treatises (Croatian Writers on Music and Transfer of Ideas in Their New Environments)
Seiten 389 - 402 -
List of Contributors
Seiten 403 - 408 -
Index of Persons
Seiten 409 - 424 -
Index of Places
Seiten 425 - 428
17 October 2016, 432 pages
ISBN: 978-3-8394-3504-5
File size: 7.5 MB