Global Photographies
Memory – History – Archives
How is photography connected to global practices? This is a first edited collection to trace the relationship between history, photography and memory in a global perspective on three interrelated levels: firstly, in the artistic and cultural production of pictures, secondly, in the decoding of colonial and contemporary photography, and thirdly, in collecting photographs in picture archives dealing with colonial, anthropological and family photography. The contributions sketch the contested field of global photography and trace the manifold intertwinements between historical and contemporary photographs.
Overview Chapters
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Frontmatter
Seiten 1 - 4 -
Table of Contents
Seiten 5 - 6 -
Preface
Seiten 7 - 8 -
Re-framing Photography - Some Thoughts
Seiten 9 - 18 -
African Photography in the Atlantic Visualscape
Seiten 19 - 38 -
Elective Affinities?
Seiten 39 - 56 -
How to use Colonial Photography in Sub-Saharan Africa for Educational and Academic Purposes
Seiten 57 - 68 -
Presentness, Memory and History: Thabiso Sekgala, "Homeland"
Seiten 69 - 88 -
On the Circulation of Colonial Pictures
Seiten 89 - 108 -
Portraits of Distant Worlds
Seiten 109 - 132 -
Reflexions on the Photographic Archive in the Humanities
Seiten 133 - 154 -
Re-imagining the Family Album through Literary Adaptation
Seiten 155 - 176 -
Public Rites/Private Memories
Seiten 177 - 204 -
Contributors
Seiten 205 - 210
2018-02-22, 210 pages
ISBN: 978-3-8376-3006-0
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