Constructions of Cultural Identities in Newsreel Cinema and Television after 1945
Newsreel cinema and television not only served as an important tool in the shaping of political spheres and the construction of national and cultural identities up to the 1960s. Today's potent televisual forms were furthermore developed in and strongly influenced by newsreels, and much of the archived newsreel footage is repeatedly used to both illustrate and re-stage past events and their significance.
This book addresses newsreel cinema and television as a medium serving the formation of cultural identities in a variety of national contexts after 1945, its role in forming audiovisual narratives of a »biopic of the nation«, and the technical, aesthetical, and political challenges of archiving and restaging cinematic and televisual newsreel.
Overview Chapters
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Frontmatter
Seiten 1 - 4 -
Contents
Seiten 5 - 6 -
Introduction: Constructions of Cultural Identities in Newsreel Cinema and Television after 1945
Seiten 7 - 20 -
PART 1: CONSTRUCTIONS OF CULTURAL IDENTITIES IN NEWSREEL
The Politics of Archives
Seiten 21 - 38 -
The Creation of Cultural Identity through Weekly Newsreels in Germany in the 1950s
Seiten 39 - 54 -
West German State Newsreels in the Period of the Economic Miracle 1950-1964
Seiten 55 - 80 -
The Visual Memory of the Cold War
Seiten 81 - 100 -
Art Exhibitions through Newsreels
Seiten 101 - 116 -
PART 2: ART AND CULTURE IN NEWSREEL, CINEMA, AND TELEVISION
Jean Tinguely & Le Corbusier in Swiss Weekly Film Newsreels and Television
Seiten 117 - 132 -
Fiction and Newsreel Documentary in Godard's Cinema
Seiten 133 - 166 -
Between Migration and Integration
Seiten 167 - 188 -
Re-marking of Differences: Culture Television and Art Interplaying
Seiten 189 - 206 -
Constructing an Emancipated Culture of Art Spectatorship?
Seiten 207 - 224 -
Authors
Seiten 225 - 230
5 December 2016, 230 pages
ISBN: 978-3-8376-2975-0
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