Realism as Protest
Kluge, Schlingensief, Haneke
Realism as Protest draws on the »realistic method« developed by Alexander Kluge to counter the limited image of reality generated by the mainstream media. Focusing on innovative productions produced by Kluge, Schlingensief and Haneke, this groundbreaking study explores how the experimental form of their work in film, television and theatre facilitates thinking, discussion and debate about the possibilities for cultural and political change.
Overview Chapters
-
Frontmatter
Seiten 1 - 4 -
Content
Seiten 5 - 6 -
Introduction
Seiten 7 - 10 -
CHAPTER 1. Subjunctive Realism: Kluge on Film, Politics, and Feelings
Seiten 11 - 44 -
CHAPTER 2. Creative Co-Productions: Kluge's Television Experiments
Seiten 45 - 68 -
CHAPTER 3. Mobilising the Public Sphere: Schlingensief's Reality Theatre
Seiten 69 - 94 -
CHAPTER 4. Productive Discord: Schlingensief, Adorno, and Freakstars 3000
Seiten 95 - 116 -
CHAPTER 5. From Information to Experience: Schlingensief's Quiz 3000
Seiten 117 - 140 -
CHAPTER 6. A Negative Utopia: Haneke's Fragmentary Cinema
Seiten 141 - 168 -
References
Seiten 169 - 186
10 July 2015, 186 pages
ISBN: 978-3-8376-2973-6
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